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Sierra Hahn, Cameron Stewart
The Old Gringo
Carlos Fuentes, Margaret Sayers Peden
Domnei
Branch Cabell James Branch Cabell
White Apples
Jonathan Carroll
Tarzan of the Apes
Michael Meyer, Gore Vidal, Edgar Rice Burroughs
The Dead of Night: The Ghost Stories of Oliver Onions (Tales of Mystery & the Supernatural)
Oliver Onions
Swann's Way (In Search of Lost Time, #1)
Marcel Proust, C.K. Scott Moncrieff, Terence Kilmartin, D.J. Enright
The Land of Laughs
Jonathan Carroll
Voyage Along the Horizon
Javier MarĂ­as, Kristina Cordero
Palm-of-the-Hand Stories
J. Martin Holman, Lane Dunlop, Yasunari Kawabata
The Breaking Point: Short Stories - Daphne du Maurier, Sally Beauman "There comes a moment in the life of every individual when reality must be faced. When this happens, it is as though a link between emotion and reason is stretched to the limit of endurance, and sometimes snaps." -- from the author's note introducing the collection

Eight stories comprise this work, written at a period in her life when Daphne du Maurier, exhausted beyond endurance, waited for that snap. du Maurier came to speak of this collection as a curative, saying that writing these had been as therapy. In each story it's abundantly clear when breaking point has been reached, and I can see the catharsis implicit in the writer's determination of what will come to the characters after crisis: they don't just lie down and die at the snap, she makes them act, they are not allowed to give up. The stories are practiced, and almost uniformly dark and creepy, building a sense of dread and discomfort. They all read like twilight zone episodes, and some of them echoed other stories for me: "Ganymede" is her frightening take on Mann's "Death in Venice", whereas "the Pool" reminded me a lot of Arthur Machen's "the Ceremony". The "Archduchess" is a du Maurier-twisted Shangri-la. The only story where the stakes are high but not crippling, and the breaking point is lighter fare, is one about an actor who struck me as an Humphrey Bogart/Gary Cooper/Cary Grant amalgam, "the Menace". She isn't really breaking new ground here but even working in well trod territory as she is, these stories are spooky and the short form allows her certain stylistic flairs i see less of in her novels (she seems to have developed distinct stylistic approaches to her short and her longer narratives even if she tends to dwell on similar themes in all her works.) I think the most best and most effective are "the Blue Lenses" (this book has also been collected under this name, and other stories) and the last, and shortest, "the Lordly Ones". That one is really bizarre.